Interview: Seetharaman Narayanan
This is the second in a series of occasional interviews with people I find interesting or who work on interesting projects.
By now, you either recognize the name, or you’re wondering who Seetharaman Narayanan is, and the difference probably depends on what you do for a living. If, like me, you have a job where you launch Photoshop on a daily basis, then maybe, like me, you can’t stop staring at this guy’s name on the Splash Screen every time it launches. Seetharaman Narayanan. It’s hard to look away. Sure, other people worked on Photoshop. But nobody else has a name like Seetharaman Narayanan.
If you too have been unable to look away from his name as you open Photoshop, you may be thinking, “I thought I was the only one!” Take comfort in knowing you’re not alone. Back in 2004, a simple comment was posted on the ConceptArt.org forum. It said, “Every time I open up photoshop I am mezmorized by this guy’s name. It’s all I can look at. Don’t know why…” Six pages of “Me, too!” responses followed.
He has gone on to inspire a Seetharaman Narayanan fan club group on Flickr, and being unable to get his name out of your head has been recognized as a sign of Photoshop addiction.
So I decided to find out just who this mysterious Seetharaman Narayanan is. What does he do? What does he think of his notoriety? And what’s interesting about him other than his name? Mr. Narayanan, who goes by the much shorter name “Seetha,” was nice enough to answer these questions and more.
When did you become aware of the fascination with your name among Photoshop users?
Jeff Schewe [Photographer] sent me an e-mail sometime in the fall of 2005 about the existence of Seetha’s fanclub thread from ConceptArt.org.
What do you think about it?
I thought it was funny and was amazed at the amount of free time people had at their disposal. I always thought that I was fortunate in getting hired by Adobe at the right time since any Tom, Dick or Harry would have done the same thing I did and perhaps better than what I did. They may not have become famous unless they had some weird last name that is almost un-pronouncable.
How long have you been at Adobe?
I have been with Adobe for 15 years to date. I joined Adobe as a peon on Photoshop 2.5 on September 23, 1991. Peter Merrill (who now works on Acrobat and is still with Adobe) was the lead engineer on the task of making Photoshop run on Windows 3.1 and I was his deputy in the early days. Peter is one of the brightest engineers I have ever worked with in my 20 year career (he may just be the smartest of all!). I still remember the interview I had with Peter before I got hired at Adobe. Peter had this toy application (that later became Photoshop) with ugly Icons and Cursors he showed me and mentioned to me that he had that code ported over from the Mac and he could even open an image (Flower.psd which by the way, shipped as a sample file with Photoshop 2.5) on Windows. I had previously worked at CrystalGraphics and we had just ported over Crystal’s TOPAS over to the Mac platform just weeks prior to my interview with Adobe and I was totally under whelmed by Peter’s demo of Photoshop on Windows. In spite of my lack of enthusiasm, Peter hired me anyway and the rest is history.
What are you responsible for in Photoshop?
Lots of things. I joined Adobe as an engineer responsible for making the Windows port happen. After laying the foundation for the Windows effort, one of the first things I did for the product was to make it multi-threadable. Those days, Mac did not support multi-threading but Windows NT did. In my spare time, I wrote the multi-threading plug-in that took advantage of multiple processor in Photoshop. Peter was of immense help here. When I was re-writing the image processing algorithms in the plug-ins, he pointed to me that there was no need to do any image processing in the plug-in since the plug-in need not know about algorithms and it would be sufficient to just split the tasks and call the functions that knew how to do image processing. It just shows how stupid I was and how much of a genius that Peter was in pointing me to that simplicity. After we shipped 3.0, the Mac and Windows teams got merged and I worked on several things in the core product. Since the team always viewed me as the Windows guy, it would be interesting to note that I was one of the key persons responsible for the Photoshop port to Mac OS/X.
What is your professional background?
I have a Bachelor’s degree in Mechanical Engineering from Regional Engineering College, Tiruchirapalli, India. I came to the U.S to pursue my Masters in Engineering at the Southern Illinois University at Carbondale. Since that place was so much fun (Playboy’s number one Party School in 1987), I decided to get another Masters from there in Computer Science. I joined CrystalGraphics (I think they are still around) as an engineer on Crystal TOPAS and after a few years at Crystal, I joined Adobe.
Do people express fascination with your name in the real world? Or is this just an on-line phenomenon?
Not really. I had to spell my name a few times before they get it. I got used to it now.
Are there other names on the Splash Screen that you think deserve more credit and get overlooked because people can’t stop staring at your name?
Every one of the engineers and QE deserves as much credit as I do. But I took the cake because of my long name. Too bad Joe Ault, Chris Cox and Scott Byer don’t have the long names as I do.
Are you working on any new projects we can look forward to seeing your name on in the future?
I worked on Bridge 1.0 (I had the opportunity to work on that since I championed the cause for the FileBrowser in Photoshop 7.0 and CS) and am currently working on getting Adobe Lightroom ported to Windows. But Photoshop is always my home.
Everyone knows about your interesting name. What’s one interesting thing about you that people don’t know?
I bike to work every day, rain or shine. My bike route is 20 miles round-trip and I have been riding to work for the past 10 years. I even influenced my mentor Peter Merrill into biking to work. Since Peter is a maniac, he is now doing double-centuries on weekends.
Thanks, Seetha!
Previously: Interview with illustrator and author Adam Rex
















I was recently shopping for paper at Staples when I had this thought: NBC should really license the “Dunder Mifflin” name to some paper company, and put it on real reams of paper. I don’t have brand loyalty when it comes to 8.5” x 11” paper, so it’s not like I can’t be persuaded to buy one ream over another. If I were buying paper at Staples and I saw the Dunder Mifflin brand name on a ream of paper, I’d totally get it. Just because it’s funny. Even if it cost a few cents more than the other brands.
Back in the winter of 2002, while I was cocooning in my home after 9/11 like so many Americans, I conceived of a cartoon series all about grade-school versions of the various Clinton Administration characters. I called it “
Well it’s bittersweet to see that someone else has done it. Did Donick Cary see my Li’l Bill website? It’s possible. It got a fair amount of publicity, mentions on talk radio, that sort of thing. And it’s linked to on the right side of the main page on this site, which has also gotten enough publicity that it’s concievable he’s seen it. But it’s probably not such a novel idea that I could prove he stole it from me. I think the law would say that he could have come up with it on his own. Which he may have. And you can’t copyright an idea, anyway, just the execution of the idea, and I guess his execution is different enough from mine except for in the obvious ways (setting it at the White House, etc). But still, I can’t help but feel like I’ve been ripped off a little bit, even though it’s nice to see Cary’s version has come to fruition. Great minds and all that.
Like most New Yorkers who were here on 9/11, my memories of that morning are with me every day, and I have already said much on the topic over the past five years. But I don’t have anything specific to write today about the anniversary of the 9/11 attacks that wouldn’t get me worked up with anger as I write it. So instead, I’ll share this photo I just took of a garbage collector named Pelé in midtown, and link to these two 9/11 related entries I’ve previously written on this site:
In 1988, Walt Disney put out its first movie musical in 11 years, called Oliver & Company. Based on Charles Dickens’ book Oliver Twist, it told the story of an orphan kitten’s adventures in New York City.






I’m beginning a new series here at Ironic Sans: occasional interviews with interesting individuals, or people working on interesting projects. I’m kicking it off by interviewing
Just because you might be a monster, that doesn’t mean life is going to be all terrified villagers and biting. There’s a down side—monsters have problems, too. Bigfoot and the Yeti are always being mistaken for one another. Frankenstein has trouble meeting new people. Witches, on the other hand, are constantly being scrutinized by hag enthusiasts. They have clubs for that sort of thing.